https://i-c-d.de/index.php?title=The_Us%27_Jazz_Ambassadors&feed=atom&action=historyThe Us' Jazz Ambassadors - Revision history2024-03-28T18:25:17ZRevision history for this page on the wikiMediaWiki 1.31.0https://i-c-d.de/index.php?title=The_Us%27_Jazz_Ambassadors&diff=3310&oldid=prevHorvath at 10:38, 1 April 20142014-04-01T10:38:42Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>It was Adam Clayton Powell Jr., a US representative from Harlem, who first suggested that instead of sending symphonies and ballet groups abroad, the US should be sending jazz musicians. "This way" he said, "the world would get to see the real Americana''. Jazz was a lively and inspiring homegrown art form capable of captivating the world and, as novelist Ralph Ellison described it, an artistic counterpart to the American political system. The soloist can play anything he wants as long as he stays within the tempo and the chord changes — just as, in a democracy, the individual can say or do whatever he wants as long as he obeys the law. The [[Jazz Ambassadors|Jazz Ambassador]] toured for many weeks, featuring some of the US' greatest jazz musicians such as Dizzie Gillespie (1956), Louis Armstrong (1961) and Benny Goodman (1962). At a time when America's image was tarnished across the world, the heart and soul of the nation was translated into a rhythm the rest of the world could understand and appreciate. From the dusty streets of Cairo to the very heart of the Soviet Union, American Jazz Ambassadors would set out to prove that their nation was anything but ''culturally barbaric'', as was often claimed in Soviet propaganda at the time.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>It was Adam Clayton Powell Jr., a US representative from Harlem, who first suggested that instead of sending symphonies and ballet groups abroad, the US should be sending jazz musicians. "This way" he said, "the world would get to see the real Americana''. Jazz was a lively and inspiring homegrown art form capable of captivating the world and, as novelist Ralph Ellison described it, an artistic counterpart to the American political system. The soloist can play anything he wants as long as he stays within the tempo and the chord changes — just as, in a democracy, the individual can say or do whatever he wants as long as he obeys the law. The [[Jazz Ambassadors|Jazz Ambassador]] toured for many weeks, featuring some of the US' greatest jazz musicians such as Dizzie Gillespie (1956), Louis Armstrong (1961) and Benny Goodman (1962). At a time when America's image was tarnished across the world, the heart and soul of the nation was translated into a rhythm the rest of the world could understand and appreciate. From the dusty streets of Cairo to the very heart of the Soviet Union, American Jazz Ambassadors would set out to prove that their nation was anything but ''culturally barbaric'', as was often claimed in Soviet <ins class="diffchange diffchange-inline">[[</ins>propaganda<ins class="diffchange diffchange-inline">]] </ins>at the time.</div></td></tr>
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</table>Horvathhttps://i-c-d.de/index.php?title=The_Us%27_Jazz_Ambassadors&diff=3203&oldid=prevSardelli at 09:30, 1 April 20142014-04-01T09:30:17Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 09:30, 1 April 2014</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>It was Adam Clayton Powell Jr., a US representative from Harlem, who first suggested that instead of sending symphonies and ballet groups abroad, the US should be sending jazz musicians. "This way" he said, "the world would get to see the real Americana''. Jazz was a lively and inspiring homegrown art form capable of captivating the world and, as novelist Ralph Ellison described it, an artistic counterpart to the American political system. The soloist can play anything he wants as long as he stays within the tempo and the chord changes — just as, in a democracy, the individual can say or do whatever he wants as long as he obeys the law. The Jazz Ambassador toured for many weeks, featuring some of the US' greatest jazz musicians such as Dizzie Gillespie (1956), Louis Armstrong (1961) and Benny Goodman (1962). At a time when America's image was tarnished across the world, the heart and soul of the nation was translated into a rhythm the rest of the world could understand and appreciate. From the dusty streets of Cairo to the very heart of the Soviet Union, American Jazz Ambassadors would set out to prove that their nation was anything but ''culturally barbaric'', as was often claimed in Soviet propaganda at the time.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>It was Adam Clayton Powell Jr., a US representative from Harlem, who first suggested that instead of sending symphonies and ballet groups abroad, the US should be sending jazz musicians. "This way" he said, "the world would get to see the real Americana''. Jazz was a lively and inspiring homegrown art form capable of captivating the world and, as novelist Ralph Ellison described it, an artistic counterpart to the American political system. The soloist can play anything he wants as long as he stays within the tempo and the chord changes — just as, in a democracy, the individual can say or do whatever he wants as long as he obeys the law. The <ins class="diffchange diffchange-inline">[[Jazz Ambassadors|</ins>Jazz Ambassador<ins class="diffchange diffchange-inline">]] </ins>toured for many weeks, featuring some of the US' greatest jazz musicians such as Dizzie Gillespie (1956), Louis Armstrong (1961) and Benny Goodman (1962). At a time when America's image was tarnished across the world, the heart and soul of the nation was translated into a rhythm the rest of the world could understand and appreciate. From the dusty streets of Cairo to the very heart of the Soviet Union, American Jazz Ambassadors would set out to prove that their nation was anything but ''culturally barbaric'', as was often claimed in Soviet propaganda at the time.</div></td></tr>
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</table>Sardellihttps://i-c-d.de/index.php?title=The_Us%27_Jazz_Ambassadors&diff=992&oldid=prevFontanini at 14:40, 25 March 20142014-03-25T14:40:50Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== The soul of a nation expressed through music ===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== The soul of a nation expressed through music ===</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It was Adam Clayton Powell Jr., a US representative from Harlem, who first suggested that instead of sending symphonies and ballet groups abroad, the US should be sending jazz musicians. "This way" he said, "the world would get to see the real Americana''. Jazz was a lively and inspiring homegrown art form capable of captivating the world and, as novelist Ralph Ellison described it, an artistic counterpart to the American political system. The soloist can play anything he wants as long as he stays within the tempo and the chord changes — just as, in a democracy, the individual can say or do whatever he wants as long as he obeys the law. The Jazz Ambassador toured for many weeks, featuring some of the US' greatest jazz musicians such as Dizzie Gillespie (1956), Louis Armstrong (1961) and Benny Goodman (1962). At a time when America's image was tarnished across the world, the heart and soul of the nation was translated into a rhythm the rest of the world could understand and appreciate. From the dusty streets of Cairo to the very heart of the Soviet Union, American Jazz Ambassadors would set out to prove that their nation was anything but ''culturally barbaric'', as was often claimed in Soviet propaganda at the time.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>It was Adam Clayton Powell Jr., a US representative from Harlem, who first suggested that instead of sending symphonies and ballet groups abroad, the US should be sending jazz musicians. "This way" he said, "the world would get to see the real Americana''. Jazz was a lively and inspiring homegrown art form capable of captivating the world and, as novelist Ralph Ellison described it, an artistic counterpart to the American political system. The soloist can play anything he wants as long as he stays within the tempo and the chord changes — just as, in a democracy, the individual can say or do whatever he wants as long as he obeys the law. The Jazz Ambassador toured for many weeks, featuring some of the US' greatest jazz musicians such as Dizzie Gillespie (1956), Louis Armstrong (1961) and Benny Goodman (1962). At a time when America's image was tarnished across the world, the heart and soul of the nation was translated into a rhythm the rest of the world could understand and appreciate. From the dusty streets of Cairo to the very heart of the Soviet Union, American Jazz Ambassadors would set out to prove that their nation was anything but ''culturally barbaric'', as was often claimed in Soviet propaganda at the time.</div></td></tr>
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</table>Fontaninihttps://i-c-d.de/index.php?title=The_Us%27_Jazz_Ambassadors&diff=668&oldid=prevSardelli: Created page with "=== The soul of a nation expressed through music === It was Adam Clayton Powell Jr., a US representative from Harlem, who first suggested that instead of sending symphonies a..."2014-03-25T10:29:20Z<p>Created page with "=== The soul of a nation expressed through music === It was Adam Clayton Powell Jr., a US representative from Harlem, who first suggested that instead of sending symphonies a..."</p>
<p><b>New page</b></p><div>=== The soul of a nation expressed through music ===<br />
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It was Adam Clayton Powell Jr., a US representative from Harlem, who first suggested that instead of sending symphonies and ballet groups abroad, the US should be sending jazz musicians. "This way" he said, "the world would get to see the real Americana''. Jazz was a lively and inspiring homegrown art form capable of captivating the world and, as novelist Ralph Ellison described it, an artistic counterpart to the American political system. The soloist can play anything he wants as long as he stays within the tempo and the chord changes — just as, in a democracy, the individual can say or do whatever he wants as long as he obeys the law. The Jazz Ambassador toured for many weeks, featuring some of the US' greatest jazz musicians such as Dizzie Gillespie (1956), Louis Armstrong (1961) and Benny Goodman (1962). At a time when America's image was tarnished across the world, the heart and soul of the nation was translated into a rhythm the rest of the world could understand and appreciate. From the dusty streets of Cairo to the very heart of the Soviet Union, American Jazz Ambassadors would set out to prove that their nation was anything but ''culturally barbaric'', as was often claimed in Soviet propaganda at the time.<br />
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[[Category:Acts of Music as Cultural Diplomacy]]</div>Sardelli